Tag Archives: Music

The Daily Communiqué – 14 April, 2019 – Week 2 Recap

Monday’s announcement of the Hugo nominees led me to write about my experiences with WorldCon and meeting authors.

I’ve been listening to a lot of different music at work, thanks to the global record collection, and shared some of my discoveries on Tuesday.

In the same vein, on Wednesday there were works by artists I found intriguing.

Some reflective writing on writing on Thursday.

A tiny bit of fiction for Friday night.  The monster is real!

And rounding out the week, my reaction to former pope Benedict’s letter about sex abuse in the Catholic Church.

Currently reading:  Black Leopard, Red Wolf by Marlon James.  I don’t know what I think about it yet, other than it’s weird.

The Daily Communiqué: 09 April 2019 – Music

My curiosity for music can more easily be satisfied now with technology.  I’m in love with searching through the global record collection available to anyone with the bandwidth to listen.

Here are a few I’m enjoying currently

Ash Grunwald “Money”- Aussie blues singer
I’m pretty enamored of Grunwald’s work, adding him to the heavy rotation list

Joe Bonamassa “The Ballad of John Henry”- American blues singer
It’s easy to forget just how young Bonamassa is, he’s been blues royalty for so long it seems like he should be older.

I love knowing about other creators’ process, it’s fun to watch Bonamassa in action. But watch how awkward he is without his guitar when it’s just him in singing in front of the mic.

This is a twofer, Leonard Bernstein forever won my heart with his Young People’s Concerts.   Aaron Copland was a favorite on Sunday mornings in my family.

Jamie Cullum – “Love Won’t Let Me Wait” – British jazz singer

This came up on a random playlist, and while I’m not much of a ballad/love song person, something about Cullum’s voice caught me.

Norah Jones and Billie Joe Armstrong – American singers

What a surprise find! These two work really well together.

Amon Amarth – Swedish death metal band

I’ll end with this because it’s so delightfully bad. The instrumentals are standard metal, the leader has an incredible deep voice which he can use to great effect, but the lyrics and presentation are just so …. pedestrian.

New to the Stacks: Hello 2019

The Year of Magical Thinking by Joan Didion

The Year of Magical Thinking by Joan Didion
How literature saved my life by David Shields
Stealing: Life in America by Michelle Cacho-Negrete ~ read
Crystal Rain by Tobias S. Buckell
spook country by William Gibson
Boom! Voices of the Sixties by Tom Brokaw – DNF
Shadow Ops: Control Point by Myke Cole ~ read
The Wrong End of Time by John Brunner – DNF
Invaders from Earth by Robert Silverberg
Music of the Common Tongue by Christopher Small
Self-Consciousness by John Updike

How literature saved my life by David Shields
Stealing: Life in America by Michelle Cacho-Negrete
Crystal Rain by Tobias S. Buckell
Self-Consciousness by John Updike
Music of the Common Tongue by Christopher Small
Invaders from Earth by Robert Silverberg
The Wrong End of Time by John Brunner
Shadow Ops: Control Point by Myke Cole
Boom! Voices of the Sixties by Tom Brokaw
spook country by William Gibson

Review: Who I Am

Pete Townshend
Who I Am by Pete Townshend

Title: Who I Am
Author: Pete Townshend
Published: 2012
ISBN-13: 9780062127242
Publisher:  Harper Collins
What’s Auntie Reading Now? picture
Harper Collins blurb:

From the voice of a generation:

…smashed his first guitar onstage, in 1964, by accident.
…heard the voice of God on a vibrating bed in rural Illinois.
…invented the Marshall stack, feedback, and the concept album.
…stole his windmill guitar-playing from Keith Richards.
…detached from his body in an airplane, on LSD, and nearly died.
…has some explaining to do.
…is the most literary and literate musician of the last fifty years.
…planned to write his memoir when he was 21.
…published this book at 67.

One of rock music’s most intelligent and literary performers, Pete Townshend—guitarist, songwriter, editor—tells his closest-held stories about the origins of the preeminent twentieth-century band The Who, his own career as an artist and performer, and his restless life in and out of the public eye in this candid autobiography, Who I Am.

With eloquence, fierce intelligence, and brutal honesty, Pete Townshend has written a deeply personal book that also stands as a primary source for popular music’s greatest epoch. Readers will be confronted by a man laying bare who he is, an artist who has asked for nearly sixty years: Who are you?

I entered Who I Am with trepidation.  Autobiographies can be dangerously self-centered, filled with rationale for bad behavior.  Often, they can be poorly written.  Neither is true with Townshend’s book.

At times it reads as a recitation of events from a calendar.  But what struck me most about Townshend was his honesty about the triumvirate of a rock god’s life, and his struggles with hidden memories of child abuse, his spiritual practice, and his love and devotion to making and writing music.

Process is one of those nebulous words which gets thrown around.  Reading about others’ processes helps me understand mine.  Townshend proudly discusses how much work went into his process, and how much joy it brought him.

He is also deeply honest about what an absolute horror he was.  And his struggles to come to grips with any of it while living the privileged life his music afforded him.  It’s also clear that without his music, Townshend’s life would have been one of complete and utter misery, with little hope for even a moment of joy.

Where would our world of music be without the influence of Pete Townshend and The Who?  I’m glad we’ll never have to know.