Some evil, evil book warbler insisted upon telling me about this series about an interdimensional library, librarian spies … and dragons! I was helpless in this warbler’s clutches. Good thing I had birthday money to spend.
- The Masked City
- The Burning Page
- The Lost Plot
- Legacy of the Demon
- White Trash Zombie Gone Wild
- How the White Trash Zombie Got Her Groove Back
- The Kill Society
Title: The Hakawati
Author: Rabih Alameddine
Publisher: Anchor Canada
This is a book of stories, about family, Identity, love of family filled with stories from generations of storytellers. In fact, Hakawati means storyteller.
Where do I begin with this? The story of generations of storytellers in one family. The strands of the stories weaving together the themes of identity (Lebanese or American? musician, storyteller or engineer?), physical place, and place within the family structure are told.
Osama al-Kharrat returns to Beirut from Los Angeles to bear witness to his father’s death. The entire family gathers around the hospital bed to reminisce and tell stories reaching generations back. As with most family reunions, new stories are created as the now adult children discuss events from their childhood and discover the meaning of said events.
I love the way Alameddine weaves the many generations of stories together to tell the story of a this Lebanese family. Anyone who enjoys good stories will love The Hakawati.
The connection between eating and emotions is deep and tight. It’s a way we learn to soothe ourselves, to fill the holes in our hearts, and may be one area in which we feel we’re in control.
Geneen Roth’s book is about the ways we trick ourselves into sabotaging ourselves with food, and how to become more aware and stop the damage.
Anyone who has known me for more than five minutes knows that I have issues. Lots and lots of issues which I use food to deal with. Emotional eating is a learned trait, and did I ever learn it well.
I’m not sure why I initially picked up When You Eat the Refrigerator, Pull Up a Chair, something clearly resonated. Becoming the person you love most in your own life is hard, challenging work. One needs a lot of help to get there.
Roth goes beyond the “just stop eating so much,” or “trade gluten free for x,” form of food talk. In 50 short (2-3 pages) chapters, she writes about the issues emotional eating covers and offers ways to break some of the chains we’ve formed over the years.
Most of them are things I already do, like wearing bright colors. If you haven’t seen my wardrobe, it’s filled with bright pinks and deep purples. But that’s a recent change for me.
When You Eat the Refrigerator, Pull Up a Chair isn’t about body image or acceptance, it’s about learning to love ourselves as the gems we are, regardless of our looks. It’s about learning to stop tearing ourselves down.
In the year 2045, reality is an ugly place. The only time teenage Wade Watts really feels alive is when he’s jacked into the virtual utopia known as the OASIS. Wade’s devoted his life to studying the puzzles hidden within this world’s digital confines—puzzles that are based on their creator’s obsession with the pop culture of decades past and that promise massive power and fortune to whoever can unlock them.
I saw the movie with co-workers who are gamers and were so excited I could hardly stand it. My opinion of the whole deal was, at best, neutral. My knowledge of Ready Player One was only this was a really popular book, and at least one friend loathed it.
What a perfect escapist film. Bright, fast, flashy, filled with 1980s pop culture references that had my co-workers talking excitedly for days. I was bemused. Then one of them loaned her copy of the book to me. She was so excited to share it with me.
Perfect escapist fare again. Ready Player One is wish fulfillment 101. It’s like Cline took every reference from 1980s pop culture and crammed it into a “wouldn’t it be cool if ….” version of “my life sucks and I was really happy back then.” Which is, pointedly, harsh and maybe a bit unfair to Cline. Because we all have wish fulfillment fantasies, mine is comfortable surroundings on a golden beach surrounded by books and all the time to read them.
Pollution, poverty, climate change, unemployment have all reached their logical conclusion in 2045. It’s no wonder people would rather be in OASIS, the virtual world created by James Halliday, than anywhere else. And, like everything else in any world, the rich and powerful want even more.
Wade is the one-dimensional hero. The teenager who’s smarter and cooler than everyone else, saving the day from the big bad corporation who wants to take over OASIS and profit from it. Halliday’s death spurs an all out 3-riddle solving winner takes all contest for ownership. Wade’s team of five against IOI’s massive army of employees whose only job it is to research Halliday’s life and 1980s trivia, or strap up in game harnesses and play until they pass out.
The teenagers win. Wade gets the girl, the fortune and the power to turn OASIS off one day a week so everyone can reconnect to the “real world.” That’s pretty much it. Nothin’ deep or complex. Just a good mind candy afternoon read.
Although I’m sure my co-workers would disagree about the meaning of all those Easter Eggs.
As nonsensical as Pratchett’s Discworld books may seem, they often make a great deal of sense. Hogfather pokes fun at old gods, evolving gods, power, and belief systems. There’s even an “oh god,” as in “oh god I’m gonna be sick.”
The Hogfather is Discworld’s version of Santa Claus, and things go very, very far astray forcing Death to step in and try to put things right, while his granddaughter tries to behave like a normal person.
And I always enjoy reading Death trying to understand humans, and trying to behave as though he’s human when needed. Usually with very confusing results for the humans he encounters. Think Nightmare Before Christmas when Jack Skellington tries to introduce Christmas joy to Halloween Town.
This is the grandmama of all written epic stories, the progenitor of familiar quest stories and tropes through the ages. It’s also based on the historical Mesopotamian king Gilgamesh
Gilgamesh is 2/3 god, 1/3 human and has no equal. As such, his arrogance and hubris get the better of him while he literally rapes and pillages his way through his own land, Uruk.
The gods create Enkidu from clay (completely mortal) as a balance to Gilgamesh’s excesses. When they meet, they fight each other but once they discover they are equals, they become great friends.
Because Gilgamesh is restless, he and Enkidu go on a quest which includes stealing cedars from a forest forbidden to mortals. After they kill the demon Humbaba, Ishtar tries to entice Gilgamesh into a love affair with her. He flatly turns her down, which enrages her and she calls down the Bull of Heaven to kill him.
Enkidu dies from a protracted illness because the gods must punish one of them for killing the Bull of Heaven. Gilgamesh is bereft and leaves Uruk in search of Utnapishtim, the man who survived the Great Deluge and was given eternal life.
In his travels to the end of the world and back, he finally accepts that life is not eternal, but the impact on those he comes in contact can be.
I first read Gilgamesh for a class about ethics towards animals (Enkidu was raised among the animals). Reading it is the start of many familiar stories, like the Great Deluge, considered to be the genesis of the Flood story and Noah in the Bible.
For more about the genesis of myths which have become common knowledge around the world, read my review of Ovid’s Metamorphoses.
William deWorde has a newsletter he sends to rich people who pay him to write about the gossip in Ankh-Morpork. The dwarves move in with a mechanical printer and make a deal with deWorde to publish more frequently. Soon, Ankh-Morpork has two papers, one which publishes the truth as deWorde has been able to ferret out, and the truth people want to believe. DeWorde gets wind of a story which is politically dangerous, and find himself in danger.
It may be heresy to say, but I think Pratchett is funnier than Douglas Adams. And Pratchett’s silliness in my kind of silliness. And while they’re silly, Pratchett’s books are also social commentary. The Truth is about facts, truth, justice and what people want to believe is true. It also features mayhem, but then all of Terry Pratchett’s books feature mayhem of one sort or another.