Tag Archives: Kameron Hurley

Review: God’s War

God’s War by Kameron Hurley

Title: God’s War
Series: 1st of 3
Author:  Kameron Hurley
Published:  2011
ISBN-13:   9781597809504
Publisher:  Nightshade Books
Twitter: @Kameronhurley
Publisher’s Blurb:  Nyx is a former government assassin who makes a living cutting off heads for cash. But when a dubious deal between her government and an alien gene pirate goes bad, Nyx’s ugly past makes her the top pick for a covert recovery. The head they want her to bring home could end the war — but at what price?

God’s War is the first of three books in the Bel Dame Apocrypha series.

I long for the day when we don’t have to think about feminist or masculine tropes, that we can write and read good stories without the heavy load of “male gaze” or “women don’t/shouldn’t do that” (same goes for men).  It seems unfair to have to point out that Kameron Hurley’s work is uniquely feminist, and that her reasons for being so amount to “enough is enough, women can too do that.”

It’s unfair because Hurley is a damned fine storyteller.  She has said repeatedly she’s written characters like Nyx based on Conan the Barbarian and Mad Max.  Her book The Geek Feminist Revolution has two essays which specifically address this.  Hurley makes it clear that if a male protagonist can do it, so can a female protagonist.

And that’s how we got Nyx, the badass who can take on Richard Kadrey’s Sandman Slim any day of the week and twice on Sunday.  Nyx is a nasty piece of work, and she is everything a hero/antihero needs to be.

God does not answer the phone

If the goal of feminism is for women to be treated equally to men, then Kameron Hurley’s God’s War succeeds in many ways.  In her world, women are in charge and visible at every level of society.  As she tells the story,  “bēl damê, [is] an old Assyrian/Babylonian term for a blood avenger … ‘owner of the blood’ and ‘collector of blood debt.’”  She wanted to write about a bel dame in disgrace.  Nyx hobbles through the world taking any contract that will pay the days’ bills.

If feminism is about being seen and heard, then nearly all the women who populate Nyx’s world have succeeded.  But sexism still exists. Never mind the details, the women are the sexists in this world. They leer and catcall just like any ill-mannered male in other books.

What’s striking to me is while Hurley has turned the anti-hero trope on its head by making women the lead characters in a dismal, apocalyptic world, she does not give women a pass on bad behavior.  These women are so far from prim and proper, and polite, it’s laughable. Yet Hurley is making a point, that women can hold the plot of such a story just as well as men. Women are in every corner of society, just trying to get along to the next day.

The main thrust of the plot is an alien gene pirate has landed and threatens any potential of “balance” in this world.  It’s presumed her ancestors had a part in starting this war centuries ago for reasons no one remembers anymore. The pirate becomes a wanted woman and the queen calls on Nyx to deliver her head.

That’s what bounty hunters do, they behead and deliver it to the contract holder.  Or they kill outright. But they only get paid if they follow the contract’s instructions to the letter.

So think about this, Nyx is a woman mercenary who’s good at tracking and killing people.  She’s been kicked out of the guild of government paid assassins because even they couldn’t handle her.  She’s given up her ability to transport zygotes in her uterus because she sold it for money to get to the next stop, wherever that might be.  This is who she is, what she has become. And she has no illusions about her place in life. And the queen calls on her, not the bel dame, to find and behead an alien.

Politics being what they are, Nyx discovers hidden agendas and wanders into fights, literal and figurative, which call everything she knows about who she is and what she’s fighting for into question.  In the end, people die or are banished. Nyx argues with the Queen over ideology and realizes, just as the rest of us do, there are no happy endings. We just keep going on.

Every one of the characters in God’s War are broken.  There’s no repairing them, and most know it.  Hurley does not spare us from the atrocities of warfare, sexism, and politics.  She builds a world in which a paid assassin, part of a guild, would break under the burdens one must bear just to get through.

And although it was slow to get started, and it is bleak and horrifying, I found God’s War to be a good story.  Which is what all readers are looking for, isn’t it?  And thank you Kameron Hurley for making this the feminist apocalyptic story it is.  Women can be just as badass as men, if not more so, and deserve the chance to tell their stories.

Can I get an awoman, sister?

 

Review: 2018 Reading

Handmaid’s Tale by Margaret Atwood
American Gods by Neil Gaiman
The Geek Feminist Revolution by Karmeron Hurley
The Calculating Stars signature
Binti by Nnedi Okarafor
River Queens by Alexander Watson
How Fiction Works by James Wood
The Queen of Crows by Myke Cole
A Visit From the Goon Squad by Jennifer Egan

For the first time in so many years, I’m not in utter misery looking into the New Year.  2019 holds great promise and hope for me. As unexpected as that is to say, it comes as a great relief.  Books and lists are the great constant. The great coping mechanism of all time, making lists. It was like the sun shone only on me the day I realized I could combine the two and keep my sanity.

One blissful weekend in August when I was hanging out with other geeks and nerds who loved what I did my vague dissatisfaction was temporarily banished.  I went to panels about writing, met authors (and a real live astronaut), sat in lines with others and talked about writing. Frequently amused that wherever there was a line, we all had some kind of device out in order to read. My device was dead tree style.

Exhaustion was my companion the entire con, but gods I was happy.  Happy? How could that possibly be? When WorldCon 76 San Jose was over, the sticky film of vague unrest returned.  Barf, I thought (or words to that effect, anyway). Inklings filtered through my overtaxed, hyperalert brain.

When great ideas hit it can feel like a jolt of lightning, adrenaline flowing through my spine.  This idea was quieter. An author I met at WorldCon started posting about teaching writing. And so I asked, “do you have something for me?”  His probing questions finally got me to the bottom of my unrest. “I want to learn to read and write about books better.”

And that’s how I found a mentor, and made the last quarter of 2018  happy. Best decision of my life ever. It’s not just the reading and writing which have evolved.  Unexpected personal growth came at me like sunshine filtered through open doors. Even on the hardest of hard days when I think I can’t even get out of bed, and the writing is like carving bricks of granite with my bare hands, I know I’ll be good.  Discovering the weird joys of LitCrit have given me a new dimension of meaning.

It is nearly impossible to pick just a few great books from 2018, but here’s my attempt at defining the seminal books for me.

2018 Books by the Numbers:

  • 68 read
  • 20,382 pages
  • 26 unique publication years
  • 40 unique author names
    • 19 female authors
    • 23 male authors
    • 26 new to me authors
  • 98 books new to the stacks
    • 48 new to the stacks read
    • 7 new to the stacks Pearl Ruled

Favorite Reads

The Handmaid’s Tale by Atwood, Margaret
Even more relevant today than when first published, Atwood’s description of a dystopian, Puritanical society with no agency for women chills.  My review will focus on the use of Scripture as justification.
The Armored Saint by Cole, Myke
The Queen of Crows by Cole, Myke
Heloise is the hero we need now.  Tight, intricate, suspenseful story about a young woman leading the uprising against the religious order in charge.  Book 3, The Killing Light, comes out in 2019.
A Visit From the Goon Squad by Egan, Jennifer
Freakin’ brilliant.  We spent a month on it, I read it three times.  Don’t let the non-linear style throw you off. Egan tells a hell of a story.
American Gods by Gaiman, Neil
What happens when Old Gods realize they’re being squeezed out by the New Gods?  Just as fantastic on the second read.
My Journey in Creative Reading by Gallowglas, M. Todd
Don’t know how to review this book since he’s also my mentor.  Every bit is so good and resonated so deeply I knew I had the right guy.
The Geek Feminist Revolution by Hurley, Kameron
My love letter to Kameron who speaks the truth about being a woman so hard.  I continue to learn a lot from her about feminism and writing. GFR has earned a permanent place on my reference shelf.
The Calculating Stars by Kowal, Mary Robinette
The Fated Sky by Kowal, Mary Robinette
Speaking of feminism … Elma’s a wonderful example of all any human could be; blind spots and social anxiety and all.  Mary Robinette Kowal is as kind and generous as I had hoped. An hour with her and real live astronaut, Kjell Lindgren was more than I’d expected.  Excitedly waiting for two more Lady Astronaut books.
Beloved by Morrison, Toni
Because I am stubborn and refuse to read what “everyone” else is reading, it took an essay in The Methods of Breaking Bad, and some serious prodding from a trusted friend to read Toni Morrison’s classic.  Best opening line ever, “124 was spiteful.”
Binti by Okorafor, Nnedi
Binti: Home by Okorafor, Nnedi
Binti:  The Night Masquerade by Okorafor, Nnedi
Nnedi Okorafor’s brilliant story about a young African woman who breaks tribal taboos to go to university on another planet.  My review will focus on the bigotry Binti encounters on her quest.
River Queens by Watson, Alexander
Alexander Watson’s writing is elegant as he tells the tale of refurbishing a wooden boat and sailing her from Texas to Ohio.  His is the most polished debut I’ve read and I’m forever grateful he asked me to review it.
How Fiction Works by Wood, James
Every writer, every critic, every anyone interested in reading and writing needs to read How Fiction Works.  My review focuses on why critical reviewers should know about craft in order to write better themselves.

On Writing: Two Months

I’m not sure how I wound up in this place.  This place of intellectual challenge and delight while reading and writing differently than before.  In two short months, I have seen remarkable change in the way I approach them, the keepers of my sanity.  Somehow, I’ve become richer, more sure of myself, more ready to do the hard work required to become better at reading, and writing.

A lifetime of reading voraciously, anything within reach.  Some above my grade level, others extremely inappropriate for a reader of any age, all of it like a drug no one else around understood.  They watched me read, they fed my habit, and considered themselves readers too. But somehow my attachment to books and the spells they wove were different for me.

I read all the time, often getting in trouble in class for not paying enough attention.  I’m bad at math but I still think I got the better part of the deal. At temp jobs, “You mean you’d rather read than work?”  Uh, yeah.

But some books felt like I was just skating on the surface.  I could see figures beneath the ice, enticing me to join them, but I couldn’t reach them.  I didn’t know how.

But I kept reading.  From “should read,” “best of,” “canon,” lists.  Trying to organize what felt like a very disorganized approach to reading.  I made lists of my own, going through bibliographies carefully. I was looking for clues to a puzzle I didn’t understand.

The lists caused minor panic attacks.  The boxes on my shelves leered at me. And still I brought them into my living space.  How was I ever going to read them all? Sometimes I would admonish myself to read faster, harder, eschew everything unnecessary to daily life for the sake of reading.

I joined a social media site for readers, found a group and settled in for a couple of years.  There I developed rules of engagement for my reading. Only these topics, only series I had already started, only authors whose work I had begun reading.  But someone would warble a book or, in the case of egregious generosity, send the first in a series to my Kindle app. The nerve!

Then what was supposed to be a cozy little community blew up in my face over my unwillingness to move a book from a challenge which suited my needs to another one which suited someone else.  It got ugly, names were called, fat shaming was invoked and I sat at my computer sobbing. All of this over a book? I made my stand, “My reading is for my pleasure, not yours.”

At the end of the calendar year I left for good.  And went back to reading without the interesting challenges, and the mildly entertaining cliquish conversations.  I was on my own again, still searching for people to talk books with.

It was in this cozy little community that I started to write reviews.  Everyone did it. So I joined in. And because the internet and blogging had always fascinated me, I started a blog, several times.  7Stillwell is probably the sixth or seventh iteration.

All through my BA studies, I read interesting things.  Any time I had the chance to study something cross-disciplinary between literature and history I took it.  Women in Asia, Medieval literature, anything for which I could get credit in a history degree I took.

My way of reading was deepening, my craving for getting under the ice intensified.  Some I could crack a little hole and peek through, others I could see the figures more clearly but I couldn’t find my way in.

My writing.  Well that was something altogether different.  I thought I wanted to write grand fiction stories, but realized I didn’t want the responsibility of trying to keep a fictional world balanced.  But I kept trying.

And I’d never been satisfied with my reviews.  I read others, both peer and professional. But I kept finding myself fumbling around, especially at the end of a review.  I couldn’t stick the landing sometimes. But I kept at it.

I read book blogs and thought, “Oh, I know I can do better than that.”  And I would continue reading, and writing about it. Then I got myself listed on a book blog for authors to find reviewers.  And they came calling. Not many, but a few. Some I turned away. Some I accepted and then regretted that choice. One came through like a shining star, and I asked Alexander Watson what else he was working on and would he make sure I got copies.

The really good books are the ones that make it worthwhile.  Alexander’s River Queens was the one that kept me going because it was so elegant, and he was so professional about promoting his book.  He kept me going when work was turning ugly. He reminded me why I had such a deep abiding love for books, and the sanctuary they offered me.

But I was getting more restless.  Because now I was reading books that were touted by groups of people I had respect for and wondering what I was missing.  Kafka? Yeah, he’s fine but this one story in this collection was really clunky, how did it ever get picked? Steve Martin?  Yeah … no. Ready Player One?  Okay, not an 80s kid.  Don’t get it.

By August 2018, I was in such a funk.  Work was quickly going off the rails, I was discovering more and more I had at most two friends to talk about literature and books with.  I wanted more something, everything, different.

And so there was WorldCon 76 in my backyard.  The reader friend on the East Coast convinced me to cough up the money.  It was a lot of money. But he was right, it would be a shame to miss it when it was less than five miles from home.  And, wow. I had a great time, better than any other con I’d ever been to. I was on my own, attending panels I wanted, and just being me.  What a revelation.

My very first panel of my WorldCon experience was M. Todd Gallowglas’ “LitCrit for Geeks.”  Wait. What? This can’t be right. I thought LitCrit was dry and dull and required special skills and, here’s this writer I’ve never heard of making it sound like a lot of fun.  Something worthwhile.

When I got home from the weekend, I reread my notes.  Intertextuality, metatextuality, Marxism, feminism, new historicism?  Race, gender, deconstruction, OOO? And for the next month while I fought the demons at work, and tried a new approach to reading and journaling, I thought about LitCrit.  This geek wanted more but what?

I lost my job in September.  Packed up my stuff and came home.  Moped around for a few days and thought “now what?”  The need to read, and write, remained. But I wanted to go deeper.  I knew there were ways to do that but I didn’t have a clue where to start.  Just reading and recapping weren’t enough anymore.

Little did I know that the guy I hadn’t heard of would turn out to be my mentor and show me the way to look at things differently.  Little did I know how much I was going to change. Little did I know how much work it would be and how happy it would make me. Here, finally, was something worthwhile to do with my time.

In two months, I’ve read a lot more than usual.  Feeling myself slipping into the cracks, acknowledging myself, figuring things out.  More personal growth than I thought possible. Then two books which really shook things up and made me realize while I was just starting, I was doing it.  I was reading deeper and writing better about what I read. I felt like my reviews were taking on meaning.

First, The Fifth Season by N. K. Jemisin.  Jangled, sharp edged, arrhythmic.  There were times I’d think, “She won a Hugo for this?  What am I not seeing?” I’d put it down and think about the new theories I was learning, think about how they might apply.  I stuttered my way through until something happened which betrayed my trust in the story. I literally had to have a bit of a lie-down because I was so angry with what I had just figured out about the main characters.  I wasn’t even sure I wanted to go on.

Applying the Pearl Rule still doesn’t come easily to me, and Jemisin had won back to back Hugos three years in a row for this series.  That was important. What was I missing?

Off to the internet to read what other people thought, what other reviewers wrote.  This is unusual for me because I want to go into a book with as few preconceptions as possible.  But damn it, this was supposed to be brilliant. I had just been at WorldCon surrounded by really smart people who talked about her and this series.  Besides, my mentor suggested I join him for a group read. And he was having problems too.

What I read reassured me enough to dig back in.  To forgive Jemisin enough to finish the story. I was happy I did, and now the thinking.  Now I had permission to think and do it deeply. “Pick five schools of theory and apply them to The Fifth Season,” he said.  Oh boy.

November.  “We’re going to spend the month on A Visit From the Goon Squad,” he said.

“Oh ha ha,” I thought.  “A month?”

For all intents and purposes, I’ve read it three times.  Back to back to back. Each time finding something different, something I hadn’t picked up on before.  Three times. I don’t do that. But apparently I do now..

Jennifer Egan is brilliant.  Her collection of thirteen stories are enriched by being told in non-chronological order..  Not only is her prose engaging, her characters and their stories transcend archetype to become fully formed.

This character Bennie leads to his wife Stephanie leads to his brother-in-law Jules leads to starlet Kitty Jackson leads to …. This story about Bennie in high school leads to his visit to a band he signed who no longer make the grade which leads to …. Seamlessly, and with epiphanies.  “Oh, that explains why Sasha’s a kleptomaniac.”

Spend a month?  I could imagine spending an entire semester on it.  And all the while, with my spreadsheet and 30+ pages of notes, thinking is happening and I feel myself opening up and going deeper.  “Pick five schools of thought and apply them,” he said again.

And as with The Fifth Season, I discovered not all schools can be applied to all books.  New Criticism and Feminism will almost always apply. Trying to make my other choices apply meant looking at the material differently.  Was race a viable filter? Culture? What does culture mean in this text?

I reminded myself I was at the beginning of this fascinating journey, I couldn’t possibly know how it would, or if it could, work together.  Having to think about how there might be other ways to interpret the text made me reach, and stretch. There were days when I flailed, a lot.  “I don’t know what the hell I’m doing here,” I would gripe. But I kept writing, and thinking.

It’s been two months of work.  Steady, daily work. Reading Michael Moorcock’s essays still make me anxious because he’s so damned erudite and he eloquently writes about things I’m just now learning.  Instead of skipping or stopping or throwing my mental hands up and saying, “This is too hard,” I kept at it.

I kept at it.  That was huge. I was no longer in the realm of wanting to just move on to the next book, or deciding not to write about it.  And things I’d read about process and writing from other writers whose work I enjoyed seeped in.

Here was Anne Lamott with her “shitty first draft,” from Bird by Bird.  Richard Kadrey, Chuck Wendig, Kameron Hurley … “do the work, it’s okay to be scared, writing is hard work, and no one has to ever see what you write.”  This last perhaps as important to me as Anne Lamott’s.

Knowing Michael was the only one seeing the work I chose to show him helped.  Trusting he would tell me if I was going down the wrong road, helped. His brief encouraging comments about my mind and the great work I was doing thrilled me.

“Trust yourself,” he said.  He wasn’t in the same county, so he couldn’t hear when I laughed.  “Dude,” I thought.

I kept working through my personal grievances and anxieties.  Days when I didn’t want to get out of bed because the PTSD was making it hard.  But I did it. I got up and went to work.

Because the work is what keeps me sane right now.  And learning about different ways to dig into the text and make the connections and then write about them make me really happy.  Before September, I was prepared to just keep reading as I had been. Trying to find writing classes which didn’t really fit but were affordable and might offer some guidance, and trying to write to the specifications of assignments which made no sense to me.  That’s what I was doing before.

Now, in November, I think differently about what I’m reading.  I look for the connections, I apply filters, I think things like, “Why would she write it that way?  How does [some school of theory] apply here?” I allow myself to believe I know what I’m doing, to trust I have a lifetime’s knowledge to apply, and to know I’m really doing the work.

Examining A Visit From the Goon Squad with a spreadsheet was something I had never, ever thought to do.  But it seemed to be the best way to really dig in and pay attention.  It’s never occurred to me even once that it’s weird to be this excited about reading better and deeper, or that my writing would become stronger.  It’s not weird, it’s quite wonderful. And I look forward to doing the work every single day.

New to the Stacks: Hurley, Norton & Smith

God’s Way by Kameron Hurley
Longevity: The Wardens of Time by Caleb Smith
The Norton Anthology: Theory and Criticism

God’s War by Kameron Hurley ~read
Longevity:  The Wardens of Time by Caleb Smith ~ DNF
The Norton Anthology:  Theory and Criticism

Review: A Love Letter to Kameron Hurley

The Geek Feminist Revolution by Kameron Hurley

Title:  The Geek Feminist Revolution
AuthorKameron Hurley
Published: 2016
ISBN-13: 9780765386243
PublisherTor
Twitter: @KameronHurley
Publisher’s Blurb  Outspoken and provocative, double Hugo Award-winning essayist Kameron Hurley writes with passion and conviction on feminism, geek culture, the rise of women in science fiction and fantasy, and the diversification of publishing.

The first panel I attended at WorldCon 2018 was M. Todd Gallowglas’ Lit Crit for Geeks.  I was enthralled. One of the writers he mentioned was you, as doing some great work in feminism.  I dutifully wrote your name down in my journal.

Since then, I’ve lost my job and spend my days reading and writing and thinking.  I hash things out a lot in my brain, the one that never shuts up. And then I write stuff for my mentor to read.

One evening after dinner, a friend took me book shopping.  Kepler’s is this fabulous indie bookstore whose customers banded together to keep it from closing its doors.  There were two names on my list that I knew would go home with me that night, yours and N. K. Jemisin. And since I didn’t know where to start with you, I picked up The Geek Feminist Revolution.

Always a voracious reader, I am inhaling them now.  This is my job while I figure out about the day job, I read and write about what I’m reading.  Not only does it give me direction for a life which could easily be adrift and and feeding my food addiction, it makes me stronger in so many ways.

Never really shy about self-reflection, I now have the time and space to really look at some of the things coming up right now.  And sometimes, it is some scary, sad shit.

“But because my body was coded female, I was never ever assumed to have the kind of knowledge or credibility that a man would have.” (p. 37)

I read the first 38 pages of your book and sobbed.  I felt so completely bereft that I had to set it aside for a week or so.  Because those pages were my story. The story of being a woman and the rampant sexism which had become so normalized I didn’t see it anymore.  I read your story and began to understand that not only was I not alone in this mess, but that there were ways I could raise my voice.

But first I had to reconcile some stuff within myself.  Because the stuff that was coming up was more than just re-evaluating my entire life in terms of how I’d been treated because I was female, it was looking at some pretty horrifying events and having the light bulb go off.  Which led to, “Well shit, no wonder. I never had a chance.”

And without going into too much detail here, there were new realizations about my parents.  Then there was looking at my most recent job and realizing that it had been a put-up job from the day I walked in as a temp until the day I walked out as a no longer employed here type.  Things started slamming into place. And it was scary.

I’ve been following you on Twitter and reposting some of your articles on Facebook, because you speak to me in a way that no woman ever has before.  And that’s valuable to me. I’ve learned a lot from you.

Taking a deep breath, I picked The Geek Feminist Revolution up again, and only put it down when other, more pressing matters demanded my attention.  It made me wish I knew you well enough to take you to dinner and ask you to just tell me stories about your life.  To talk about process, and yeah it sucks to have to have a day job for the insurance, and holy shit I hadn’t realized how bad the sexism is.

There are hard truths in your book.

At my last job there was a week when I had to actually go to my manager and explain to him what being a part of the team and having a voice meant.  The group admin wouldn’t put me on the meeting agenda because I didn’t have Director in my title. She would only do it if my male manager said it was okay.  I was pissed. So pissed I was vibrating. And that I had to explain it several times in very small words just made it worse.

Reading your book gives me such hope.  For the first time in my life, at a time when people are looking forward to retirement, I realize I still have time to make change in my world. I have time to rearrange everything I thought I knew about myself and create a different life for myself.  The life I want is one which tempers my very emotional responses and allows me to reasonably explain to someone why they’re not allowed to take my voice away.

I get to figure this out, and you have motivated me to keep doing that.  To read, and write, for the sheer joy of it. To understand I need a day job for the health insurance benefits, and to pay my bills.  And that all of it’s okay and necessary to survive. My writing can be my night job. It doesn’t have to be a binary choice anymore.

If I could go back in time, I’d tell my middle-school self to keep writing, because writing would keep her happy and sane.  I would insist she not give it up and not worry about what it looked like or sounded like. I would tell her no matter what, do not quit writing, even if it’s just a sentence about how particularly shitty the bullies were that day.  “Keep writing, always,” I would whisper in her ear.

I had so much to heal from, so much to learn, it’s hard to regret it took me this long to realize what I had been keeping from myself.  Reading books like yours help so much, and I don’t know how to tell you what an impact you’ve had.

I close this with an open invitation, if our paths cross at any time, dinner is my treat.  It’s the least I can do, aside from buying your other books and joining your Patreon once I’m gainfully employed again.

Did I say “thank you?”

Three Days at WorldCon 76: Friday

Day 1:  Friday, August 17, 2018 – Day 2Day 3

WorldCon Friday

I left fandom years ago because I wasn’t really enjoying myself.  Old friends have died or moved on and I wandered off to figure out me.  Early cons are where I realized I was “too freaky for the mundanes, and too mundane for the freaks.”

While WorldCon76 was my second worldcon, it was my best con ever!  Big backpack stuffed with con survival gear (food, books, journals, pens, etc.), bowler hat squarely on my head, I wandered the convention center with a big smile on my face.  Thank you Richard for insisting I go.

My recaps are an effort to wrangle my notes into one accessible place.  Notes are incomplete because there’s no way I could keep up with people like @MGallowglas or Shayma Alshareef and Yasser Bahjatt.  Mistakes are mine, not theirs.

My Year of Creative Reading by M. Todd Gallowglas

Panel:
Geeks Guide to Literary Theory – M Todd Gallowglas – @MGallowglas

Recommended Reading:

After the panel I wandered down to the Dealer’s Room to table F19 and talked to Todd for a few minutes and picked up a copy of My Year of Creative Reading, which he signed for me.

Then an hour plus interlude waiting in line to sign up for the @Mary Robinette Kowal and @astroKjell (Kjell Lindren) KaffeKlatsch scheduled for the next day.  Best reason for waiting in line.  Ever.

Panel:
AfrofuturismSteven Barnes & @StevenBarnes1

Afrofuturism is the myth, fiction, art, and science, the cinema and music and dance of the children of the African Diaspora.

Recommended Reading: